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Thomas Pynchon (1937- ) : A Bibliography of Secondary Materials

710 items in monographs (A1), studies (A2) and essay collections (A3).

Albers, Philipp. "Time Bandits: Kalenderreform und Vortex in Mason et Dixon". Thomas Pynchon: Archiv - Verschwörung - Geschichte # p. 109-122 (2003). [German]

Alfano, Giancarlo. "'A Tale of a Tube': Sul Transitare Attraverso le Finestre". La dissoluzione onesta: Scritti su Thomas Pynchon # p. 129-152 (2003). [Italian]

Andersen, Tore Rye. "39. Material Readings". Pynchon in Context # p. 315-322 (2019).

Andersen, Tore Rye. "Mason & Dixon og 1700`- tallet". 1700-tallets litterære kultur # p. 174-202 (1999). [Danish]

Andersen, Tore Rye. "Chapter Two. Cherchez La Femme: The Coercive Paratexts of Thomas Pynchon’s V.". Dream Tonight of Peacock Tails: Essays on the Fiftieth Anniversary of Thomas Pynchon’s V. # p. 31-52 (2015).

Andersen, Tore Rye. "Measuring the World Anew". Pynchon Notes # 56-57 p. 253-258 (2009).

Andersen, Tore Rye. "Pynchon’s Twenty-First-Century Paratexts". The New Pynchon Studies # p. 226-240 (2019).

Andriano, Joseph D. "Behemyth Evolving: Whale/Ape/Rocket". Trajectories of the Fantastic: Selected Essays from the Fourteenth International Conference on the Fantastic in the Arts # p. 65–77 (1997).

Andriano, Joseph D. "Rocket Leviathan". Immortal Monster: The Mythological Evolution of the Fantastic Beast in Modern Fiction and Film # p. 155-165 (1999).

Asendorf, Christoph. "Der Atem der Rakete: Thomas Pynchons Enden der Parabel". Was soll ein Roman? # p. 50-70 (1995). [German]

Aso, Takashi. "History and Representation: Pynchon's Postmodern Spectropolitics in Mason & Dixon". Proceedings of the Kyoto American Studies Summer Seminar, August 1 - August 3, 2005 # p. 217-224 (2006).

Backman, Jennifer. "Chapter Seven. Katabasis, Orpheus, and Alligators: V.’s Various Underworlds". Dream Tonight of Peacock Tails: Essays on the Fiftieth Anniversary of Thomas Pynchon’s V. # p. 131-152 (2015).

Backman, Jennifer. "From Hard Boiled to Over Easy: Reimagining the Noir Detective in Inherent Vice and Bleeding Edge". Thomas Pynchon, Sex, and Gender # p. 19-35 (2018).

Baker, Jeffrey S. "Amerikkka : German Nationalism, American Imperialism, and the 1960s Antiwar Movement in Gravity's Rainbow". Critique: Studies in Contemporary Fiction Vol. 40.4 p. 323-341 (1999).

Baker, Jeffrey S. "Politics". The Cambridge Companion to Thomas Pynchon # p. 136-146 (2012).

Baker, John F. "Plucking the American Albatross: Pynchon's Irrealism in Mason & Dixon". Pynchon and Mason & Dixon # p. 167-188 (2000).

Balbierz, Jan. "Thomasa Pynchona Scienza Nuova". Thomas Pynchon # p. 61-84 (2018). [Polish]

Barth, John. "The Spanish Connection". Review of Contemporary Fiction Vol. 10.2 p. 25-34 [25-26, 32] (1990).

Bassoff, Bruce. "In Search of Narcissus: The Crying of Lot 49". The Secret Sharers: Studies in Contemporary Fictions # p. 49-64 (1983).

Battesti, Anne. "Approaching Presence in Thomas Pynchon's Novels". Thomas Pynchon # p. 299-322 (2014).

Battesti, Anne. "Chapitre 1. Le souci historique: V.". Thomas Pynchon: l'approche et l'esquive # p. 15-30 (2004). [French]

Battesti, Anne. "Chapitre 2. Cet Autre magique: La Vente à la criée du Lot 49". Thomas Pynchon: l'approche et l'esquive # p. 31-44 (2004). [French]

Battesti, Anne. "Chapitre 3. Notre désir est vent et moteur: L'Arc-en-ciel de la gravité". Thomas Pynchon: l'approche et l'esquive # p. 45-62 (2004). [French]

Battesti, Anne. "Chapitre 4. En travers de la peau-de-soie: encore l'Arc-en-ciel". Thomas Pynchon: l'approche et l'esquive # p. 63-76 (2004). [French]

Battesti, Anne. "Chapitre 5. Toutes ces voix, pour toujours: Vineland et autres visites". Thomas Pynchon: l'approche et l'esquive # p. 77-92 (2004). [French]

Battesti, Anne. "Chapitre 6. Cette Amérique qui hante son progrès: Mason & Dixon". Thomas Pynchon: l'approche et l'esquive # p. 93 (2004). [French]

Battesti, Anne. "Conclusion". Thomas Pynchon: l'approche et l'esquive # p. (2004). [French]

Battestin, Martin C. "Pynchon, North and South". Sewanee Review Vol. 105.3 p. LXXVI-LXXVIII (1997).

Bengtson, Göran. "V". Modernist amerikanst prosa # p. 159-160 (1968). [Swedish]

Bennett, David. "Parody, Postmodernism, and the Politics of Reading". Critical Quarterly Vol. 27.4 p. 27-43 [33-41] (1985).

Benton, Graham W. "Daydreams and Dynamite: Anarchist Strategies of Resistance and Paths for Transformation in Against the Day". Pynchon's Against the Day: A Corrupted Pilgrim's Guide # p. 167-190 (2011).

Berger, Charles. "Merrill and Pynchon: Our Apocalyptic Scribes". Thomas Pynchon # p. 203-215 (1986).

Bergman, Petter. "Hemligt meddelande". Modernist amerikanst prosa # p. 161-163 (1968). [Swedish]

Berolzheimer, Hobert F. "Review of The Crying of Lot 49". Library Journal Vol. 91 p. 1447 (1966).

Berressem, Hanjo. "'Draw the Line, Hit the Spot': Iscrizioni Culturali, Ferite Traumatiche e Multiplessità della Materia in Mason & Dixon". La dissoluzione onesta: Scritti su Thomas Pynchon # p. 153-187 (2003). [Italian]

Berressem, Hanjo. "'Vectors and [Eigen]Values': The Mathematics of Movement in Against the Day". Against the Grain: Reading Pynchon's Counternarratives # p. 349-368 (2010).

Berressem, Hanjo. "44. Critical Literature Review". Pynchon in Context # p. 354-360 (2019).

Berressem, Hanjo. "Gravity's Rainbow: The Real Text". Pynchon's Poetics: Interfacing Theory and Text # p. 119-150 (1993).

Berressem, Hanjo. "Gravity's Rainbow: Text as Film - Film as Text". Pynchon's Poetics: Interfacing Theory and Text # p. 151-190 (1993).

Berressem, Hanjo. "Gravity's Rainbow: The Fatal Word". Pynchon's Poetics: Interfacing Theory and Text # p. 191-200 (1993).

Berressem, Hanjo. "The Crying of Lot 49: Writing the Subject". Pynchon's Poetics: Interfacing Theory and Text # p. 82-118 (1993).

Berressem, Hanjo. "V.: V in Love". Pynchon's Poetics: Interfacing Theory and Text # p. 53-81 (1993).

Berressem, Hanjo. "Vineland: Everything Under Control". Pynchon's Poetics: Interfacing Theory and Text # p. 201-242 (1993).

Berressem, Hanjo. "Baudrillard: The Subject in the Text". Pynchon's Poetics: Interfacing Theory and Text # p. 42-50 (1993).

Berressem, Hanjo. "Coda: How te Read Pynchon". The Cambridge Companion to Thomas Pynchon # p. 168-177 (2012).

Berressem, Hanjo. "Conclusion: Writing the Real". Pynchon's Poetics: Interfacing Theory and Text # p. 243-246 (1993).

Berressem, Hanjo. "Derrida: The Subject of the Text". Pynchon's Poetics: Interfacing Theory and Text # p. 30-41 (1993).

Berressem, Hanjo and Norbert Finzsch. "Historiographic Metafiction / Metafictional Historiography: The Mason & Dixon Project". Approaches to Teaching The Crying of Lot 49 and Other Works by Thomas Pynchon # p. 121-129 (2008).

Berressem, Hanjo. "Lacan: The Text of the Subject". Pynchon's Poetics: Interfacing Theory and Text # p. 15-29 (1993).

Berressem, Hanjo. "Life on the Beach: The Natural Elements in Thomas Pynchon's California Trilogy". Pynchon's California # p. 35-65 (2014).

Berressem, Hanjo. "Threat and Crisis in Twenty-First-Century Pynchon". The New Pynchon Studies # p. 157-170 (2019).

Bersani, Leo. "Pynchon, Paranoia, and Literature". Thomas Pynchon # p. 145-167 (2003).

Berthoff, Werner. A Literature Without Qualities: American Writing Since 1945 # p. 70-78 (81, 175) (1979).

Bertina, Arno. "'Sa seule fonction étant de désirer'". Face à Pynchon # p. 317-338 (2008). [French]

Bérubé, Michael F. "1. Institutional authorizations". Marginal Forces/Cultural Centers: Tolson, Pynchon, and the Politics of the Canon # p. (1992).

Bérubé, Michael F. "4. Against the avant: Pynchon's Products, Pynchon's Pornographies ". Marginal Forces/Cultural Centers: Tolson, Pynchon, and the Politics of the Canon # p. (1992).

Bérubé, Michael F. "5. 'Surely to Pynchon's horror': Canonicity as Conspiracy Theory ". Marginal Forces/Cultural Centers: Tolson, Pynchon, and the Politics of the Canon # p. (1992).

Bianchi, Petra. "The Wittgensteinian Thread in Thomas Pynchon's Labyrinth: Aspects of Wittgenstein's Thought in V.". Pynchon, Malta and Wittgenstein # p. 1-13 (1995).

Black, Joel D. "Movie Children". The Reality Effect: Film Culture and the Graphic Imperative # p. 242-244, 253 (2002).

Black, Joel D. "Pynchon's Prehistory of Film". The Reality Effect: Film Culture and the Graphic Imperative # p. 52-56, 103-107 (2002).

Black, Joel D. "The Hermeneutics of Extinction: Denial and Discovery in Scientific Literature". Comparative Criticism: Volume 13, Literature and Science Vol. 13 p. 147-169 (147-148, 162-166) (1992).

Blaine, Diana Y. "Death and The Crying of Lot 49". Thomas Pynchon: Reading From The Margins # p. 51-70 (2003).

Bloom, Harold. How to Read and Why # p. 249-254 (2000).

Booker, Keith M. "Postmodernism in Medieval England: Chaucer, Pynchon, Joyce, and the Poetics of Fission". Techniques of Subversion in Modern Literature: Transgression, Abjection, and the Carnivalesque # p. 563-594 (and passim) (1991).

Bowman, John S. "The Agony and the Entropy". Harvard Magazine Vol. 81.2 p. 14-16 (1978).

Briasco, Luca. "From Labyrinth to Crossroads". America Today: Highways and Labyrinths # p. 503-511 [507-508] (2003).

Briasco, Luca. "Pynchon Nostro Postcontemporaneo". La dissoluzione onesta: Scritti su Thomas Pynchon # p. 203-224 (2003). [Italian]

Brier, Peter A. "Caliban Reigns: Romantic Theory and Some Contemporary Fantasists". Denying the Machine: A Reading of Thomas Pynchon's Gravity' Rainbow as Watershed Fiction # p. 38-51 (1991).

Brigg, Peter. "Thomas Pynchon: Science in Life". The Span of Mainstream and Science Fiction: A Critical Study of a New Literary Genre # p. 57-98 (2002).

Brooke-Rose, Christine. "Illusions of Parody". Making Sense: The Role of the Reader in Contemporary American Fiction # p. 51-62 (53-54) (1989).

Brown, Carolyn. "Waste, Death, and Destiny: Heterotopic Scenarios in The Crying of Lot 49". Thomas Pynchon: Reading From The Margins # p. 154-161 (2003).

Caesar, Terry P. "Picturing Pynchon". Gettysburg Review Vol. 12.1 p. 87-93 (1999).

Carratello, Mattia. "Scrivere Sparire Falsificare". La dissoluzione onesta: Scritti su Thomas Pynchon # p. 13-27 (2003). [Italian]

Carswell, Sean M. "Chapter 1. Pynchon in Zuccotti Park: An Introduction". Occupy Pynchon: Politics after Gravity's Rainbow # p. 1-18 (2017).

Carswell, Sean M. "Chapter 2.: Vineland and the Insomniac Unavenged". Occupy Pynchon: Politics after Gravity's Rainbow # p. 19-48 (2017).

Carswell, Sean M. "Chapter 3: Mason & Dixon and the Ghastly Fop". Occupy Pynchon: Politics after Gravity's Rainbow # p. 49-79 (2017).

Carswell, Sean M. "Chapter 4: Against the Day and a World Like Ours, with One or Two Adjustments". Occupy Pynchon: Politics after Gravity's Rainbow # p. 80-120 (2017).

Carswell, Sean M. "Chapter 5: Inherent Vice and Being in Place". Occupy Pynchon: Politics after Gravity's Rainbow # p. 121-138 (2017).

Carswell, Sean M. "Chapter 6: Bleeding Edge and Getting Constructively Lost". Occupy Pynchon: Politics after Gravity's Rainbow # p. 139-157 (2017).

Carswell, Sean M. "Chapter 7: A Snappy ’Ukulele Accompaniment'". Occupy Pynchon: Politics after Gravity's Rainbow # p. 158-175 (2017).

Carswell, Sean M. "Chapter 8.: Occupy the Novel: A Conclusion". Occupy Pynchon: Politics after Gravity's Rainbow # p. 176-186 (2017).

Carter, Dale A. "25. War and Power". Pynchon in Context # p. 203-210 (2019).

Carter, Steven. "Twice upon a Mattress: Thomas Pynchon's The Crying of Lot 49". Devotions to the Text # p. 127-130 (2004).

Cassola, Arnold. "Pynchon, V., and the Malta Connection". Pynchon, Malta and Wittgenstein # p. 15-38 (1995).

Castillo, Debra A. "Borges and Pynchon: The Tenuous Symmetries of Art". New Essays on The Crying of Lot 49 # p. 21-46 (1991).

Celmare, Etienne. "Maybe forget, but never forgive". Face à Pynchon # p. 111-140 (2008). [French]

Chambers, Judith. "Gravity's Rainbow: The Night Mare's Nest". Thomas Pynchon # p. (1992).

Chambers, Judith. "The Crying of Lot 49: The Word in Ruins". Thomas Pynchon # p. (1992).

Chambers, Judith. "V.: The Unholy Trinity". Thomas Pynchon # p. (1992).

Chambers, Judith. "Vineland: Venus at the Mall". Thomas Pynchon # p. (1992).

Chambers, Judith. "The Meanest Sharp Slivers of Truth". Thomas Pynchon # p. (1992).

Chambers, Judith. "The Short Stories: The Emerging Voice". Thomas Pynchon # p. (1992).

Chamerois, Gilles. "28. Science and Technology". Pynchon in Context # p. 225-232 (2019).

Chamerois, Gilles. "Langue-en-joue: Bilingual Jokes in Mason & Dixon". Thomas Pynchon # p. 241-258 (2014).

Chamerois, Gilles. "Pynchon, Leone and Dynamite". Thomas Pynchon & the (De)Vices of Global (Post)Modernity # p. (2013).

Chetwynd, Ali and Georgios Maragos. "15. Sex and Gender". Pynchon in Context # p. 122-129 (2019).

Chetwynd, Ali. "Imperfect Circles: Asymmetrical Orbital Motion from the Rim to the Centre in Gravity's Rainbow". Against the Grain: Reading Pynchon's Counternarratives # p. 113-132 (2010).

Chetwynd, Ali. "Pynchon after Paranoia". The New Pynchon Studies # p. 33-52 (2019).

Chorier-Fryd, Bénédicte. "'A Beat Late': Rhythmical Oddities in Thomas Pynchon's Mason & Dixon". Thomas Pynchon # p. 259-270 (2014).

Cissell, Matthew. "Locating Pynchon in the Literary Field: A Critique of Reviews of Against the Day". Thomas Pynchon & the (De)Vices of Global (Post)Modernity # p. (2013).

Claas, Dietmar. "Ein abgekartetes Spiel?: Handlungsspiele in Die Versteigerung von No. 49 und die innovative Leistung des Lesers". Ordnung und Entropie: zum Romanwerk von Thomas Pynchon # p. 128-146 (1981). [German]

Claas, Dietmar. "Thomas Pynchon". Entgrenztes Spiel: Leserhandlungen in der postmodernen amerikanischen Erzählkunst # p. 78-119, 235-236 (1984). [German]

Clare, Ralph. "Pynchon on Film". The New Pynchon Studies # p. 210-225 (2019).

Clarke, Colin A. "Consumption on the Frontier: Food and Sacrament in Mason & Dixon". The Multiple Worlds of Pynchon's Mason & Dixon: Eighteenth-Century Contexts, Postmodern Observations # p. 77–98 (2005).

Clarke, William. "'It's My Job, I Can't Back Out': The 'House' and Coercive Property Relations in Pynchon's Vineland". Against the Grain: Reading Pynchon's Counternarratives # p. 185-212 (2010).

Claro, Christophe. "Le Spath, l'éspace". Face à Pynchon # p. 181-200 (2008). [French]

Clerc, Charles. "Film in Gravity's Rainbow". Approaches to Gravity's Rainbow # p. 103-151 (1983).

Clerc, Charles. "Introduction". Approaches to Gravity's Rainbow # p. 3-30 (1983).

Coale, Samuel Chase. "26. Conspiracy and Paranoia". Pynchon in Context # p. 211-216 (2019).

Coale, Samuel Chase. "Chapter 6. Thomas Pynchon: The Functions of Conspiracy and the Performance of Paranoia". Paradigms of Paranoia: The Culture of Conspiracy in Contemporary American Fiction # p. 135-177 (2005).

Coale, Samuel Chase. "Conspiracy and Paranoia". Pynchon in Context # p. 211-217 (2019).

Coffman, Christopher K. "23. Ecology and the Environment". Pynchon in Context # p. 187-194 (2019).

Coffman, Christopher K. "Another Apocalypse: Digital Ecologies and Late Pynchon". The New Pynchon Studies # p. 124-140 (2019).

Coffman, Christopher K. "Bogomilism, Orphism, Shamanism: The Spiritual and Spatial Grounds of Pynchon's Ecological Ethic". Pynchon's Against the Day: A Corrupted Pilgrim's Guide # p. 91-114 (2011).

Coffman, Christopher K. "Postmodern Sacrality and Inherent Vice ". Pynchon's California # p. 165-180 (2014).

Colin, Fabrice. "Alice au pays des monstres: Archéologie cinématographique de l'espoir". Face à Pynchon # p. 231-243 (2008). [French]

Collado-Rodriguez, Francisco. "Mason & Dixon, Historiographic Metafiction and the Unstable Reconciliation of Opposites". American Postmodernity: Essays on the Recent Fiction of Thomas Pynchon # p. 71-81 (2003).

Collado-Rodriguez, Francisco. "A la busca de un autor original o de une repetición textual: el lento aprendizaje". El Orden del Caos: Literatura y posthumanidad en la narrativa de Thomas Pynchon # p. 17-46 (2004). [Spanish]

Collado-Rodriguez, Francisco. "Conclusionas inconclusas: Múltiples dimensiones para retratar una realidad compleja. El ciclo vital detenido". El Orden del Caos: Literatura y posthumanidad en la narrativa de Thomas Pynchon # p. 215-220 (2004). [Spanish]

Collado-Rodriguez, Francisco. "El ciclo que no retorna: el final de la historia humana y el imperio de la posthumanidad literaria en Gravity's Rainbow". El Orden del Caos: Literatura y posthumanidad en la narrativa de Thomas Pynchon # p. 199-254 (2004). [Spanish]

Collado-Rodriguez, Francisco. "El legado es Norteamérica: Mason & Dixon o la resolución de los opueustos. El futuro escrido en el pasado". El Orden del Caos: Literatura y posthumanidad en la narrativa de Thomas Pynchon # p. 183-214 (2004). [Spanish]

Collado-Rodriguez, Francisco. "En busca de el energia de V.: laberintos metaficcionales, entropia y revelacción en The Crying of Lot 49". El Orden del Caos: Literatura y posthumanidad en la narrativa de Thomas Pynchon # p. 83-118 (2004). [Spanish]

Collado-Rodriguez, Francisco. "From Science to Terrorism: The Transgression Function of Energy in Pynchon's Against the Day". Against the Grain: Reading Pynchon's Counternarratives # p. 323-348 (2010).

Collado-Rodriguez, Francisco. "Sobre posthumanidad, bifurcaciones, nostalgica paródica e incertidumbre metaficcional: V.". El Orden del Caos: Literatura y posthumanidad en la narrativa de Thomas Pynchon # p. 42-82 (2004). [Spanish]

Collado-Rodriguez, Francisco. "Tracking the Female Energy of V.: Glimpses of the Pynchonian Project". Nor Shall Diamond Die: American Studies in Honour of Javier Coy # p. 71-77 (2003). [Spanish]

Collado-Rodriguez, Francisco. "Vuelta al corazon del sueño norteamericano: Vineland y las trazas de V. en la Calofirnia de la Nueva Derecha". El Orden del Caos: Literatura y posthumanidad en la narrativa de Thomas Pynchon # p. 155-182 (2004). [Spanish]

Colvile, Giorgiana M. M. "Conclusion". Beyond and Beneath the Mantle: On Thomas Pynchon's The Crying of Lot 49 # p. 99-102 (1988).

Colvile, Giorgiana M. M. "I.: The Reader's Quest". Beyond and Beneath the Mantle: On Thomas Pynchon's The Crying of Lot 49 # p. 11-18 (1988).

Colvile, Giorgiana M. M. "II.: From Words to Worse". Beyond and Beneath the Mantle: On Thomas Pynchon's The Crying of Lot 49 # p. 19-34 (1988).

Colvile, Giorgiana M. M. "III.: More Mirrors". Beyond and Beneath the Mantle: On Thomas Pynchon's The Crying of Lot 49 # p. 35-38 (1988).

Colvile, Giorgiana M. M. "IV.: Metaphor in CL 49". Beyond and Beneath the Mantle: On Thomas Pynchon's The Crying of Lot 49 # p. 39-46 (1988).

Colvile, Giorgiana M. M. "IX.: Pynchon's Alchemy". Beyond and Beneath the Mantle: On Thomas Pynchon's The Crying of Lot 49 # p. 93-96 (1988).

Colvile, Giorgiana M. M. "V.: Remedio Varo's Tryptych and Mise-en-Abyme". Beyond and Beneath the Mantle: On Thomas Pynchon's The Crying of Lot 49 # p. 47-58 (1988).

Colvile, Giorgiana M. M. "VI.: On Work and the Workings of Society". Beyond and Beneath the Mantle: On Thomas Pynchon's The Crying of Lot 49 # p. 55-60 (1988).

Colvile, Giorgiana M. M. "VII: Madness, Disease and Death [Within and Without]". Beyond and Beneath the Mantle: On Thomas Pynchon's The Crying of Lot 49 # p. 61-76 (1988).

Colvile, Giorgiana M. M. "VIII.: Woman's Lot and Cry". Beyond and Beneath the Mantle: On Thomas Pynchon's The Crying of Lot 49 # p. 77-92 (1988).

Cook, Simon. "'This Set of Holes, Pleasantly Framed': Pynchon the Competent Pornographer amd the Female Conduit". Thomas Pynchon, Sex, and Gender # p. 125-144 (2018).

Cooper, Peter L. "1. Pynchon's Literary Contexts: The Counterrealists". Signs and Symptoms: Thomas Pynchon and the Contemporary World # p. 1-44 (1983).

Cooper, Peter L. "2. Pynchon's Jeremiad: A Control That is Out Of Control". Signs and Symptoms: Thomas Pynchon and the Contemporary World # p. 45-72 (1983).

Cooper, Peter L. "3. Pynchon's Solutions: The Moment and Its Possibilities". Signs and Symptoms: Thomas Pynchon and the Contemporary World # p. 73-109 (1983).

Cooper, Peter L. "4. Pynchon's Cosmos: Symbols of Randomness and Fright". Signs and Symptoms: Thomas Pynchon and the Contemporary World # p. 110-130 (1983).

Cooper, Peter L. "5. Pynchon's Epistemology: An Eye That Reflects and an Eye That Receives". Signs and Symptoms: Thomas Pynchon and the Contemporary World # p. 131-152 (1983).

Cooper, Peter L. "6. Metaphor, Model-Building and Paranoia: A Thrust at Truth and a Lie". Signs and Symptoms: Thomas Pynchon and the Contemporary World # p. 153-173 (1983).

Cooper, Peter L. "7. Pynchon's Fictional Techniques: Assertion Through Structure". Signs and Symptoms: Thomas Pynchon and the Contemporary World # p. 174-222 (1983).

Copestake, Ian D. "'Our Madmen, our Paranoid': Enlightened Communities and the Mental State in Mason & Dixon". The Multiple Worlds of Pynchon's Mason & Dixon: Eighteenth-Century Contexts, Postmodern Observations # p. 171-184 (2005).

Copestake, Ian D. "Introduction - Postmodern Reflections: The Image of an Absent Author". American Postmodernity: Essays on the Recent Fiction of Thomas Pynchon # p. 7-14 (2003).

Copestake, Ian D. "Off the Deep End Again: Sea-Consciousness and Insanity in The Crying of Lot 49 and Mason & Dixon". American Postmodernity: Essays on the Recent Fiction of Thomas Pynchon # p. 193-215 (2003).

Costigliola, Giuseppe. "Mediterranean Histories in Thomas Pynchon's V.". America and the Mediterranean # p. 287-291 (2003).

Costigliola, Giuseppe. "Thomas Pynchon e Umberto Eco: Lo Scrittore Invisibile e lo Scrittore Ipervisibile". La dissoluzione onesta: Scritti su Thomas Pynchon # p. 225-246 (2003). [Italian]

Coughlin, Ruth P. "The Puzzle That is Thomas Pynchon". Detroit News # p. E2 (1989).

Couturier, Maurice. "Le réel et la postmodernité". Confluences américaines: Mélanges en l'honneur de Maurice Gonnaud # p. 229-241 [230-235, 240] (1990). [French]

Cowart, David G. "'Making the Unreal Reel': Film In Gravity's Rainbow". Thomas Pynchon: The Art of Allusion # p. 31-95 (1980).

Cowart, David G. "13. History and Metahistory". Pynchon in Context # p. 104-111 (2019).

Cowart, David G. "Attenuated Postmodernism: Pynchon's Vineland". The Vineland Papers: Critical Takes on Pynchon's Novel # p. 3-13 (1994).

Cowart, David G. "Heteroclite Historiography: Representations of the Past in Contemporary American Fiction". Proceedings of the Kyoto American Studies Summer Seminar, August 1 - August 3, 2005 # p. 179-199 (2006).

Cowart, David G. "Intersecting Worlds: Language And Literature in Pynchon". Thomas Pynchon: The Art of Allusion # p. 96-136 (1980).

Cowart, David G. "One. Prospero's Apprenticeship: Slow Learner". Thomas Pynchon and the Dark Passages of History # p. 25-39 (2012).

Cowart, David G. "Pynchon and the Sixties: The California Novels". Thomas Pynchon and the Dark Passages of History # p. 82-135 (2012).

Cowart, David G. "Pynchon in Literary History". The Cambridge Companion to Thomas Pynchon # p. 83-96 (2012).

Cowart, David G. "Pynchon's Artistic Priorities". Thomas Pynchon: The Art of Allusion # p. 1-12 (1980).

Cowart, David G. "Pynchon, Genealogy, History: Against the Day". Thomas Pynchon and the Dark Passages of History # p. 159-188 (2012).

Cowart, David G. "Surface and Void: Paintings In V. and The Crying of Lot 49". Thomas Pynchon: The Art of Allusion # p. 13-30 (1980).

Cowart, David G. "Teaching Pynchon's V.". Approaches to Teaching The Crying of Lot 49 and Other Works by Thomas Pynchon # p. 88-98 (2008).

Cowart, David G. "The Historiographer Historicized: Pynchon and Literary History". Thomas Pynchon and the Dark Passages of History # p. 189-206 (2012).

Cowart, David G. "The Luddite Vision: Mason & Dixon". Thomas Pynchon # p. 261-281 (2003).

Cowart, David G. "The Luddite Vision: Mason & Dixon". Thomas Pynchon and the Dark Passages of History # p. 136-158 (2012).

Cowart, David G. "Three. Streben nach dem Unendlichen: Germany and German Culture in Pynchon's Early Work". Thomas Pynchon and the Dark Passages of History # p. 57-81 (2012).

Cowart, David G. "Two. History and Myth: Pynchon's V.". Thomas Pynchon and the Dark Passages of History # p. 40-56 (2012).

Dalsgaard, Inger H. "'Perchance to Dream': Clock Time and Creative Resistance Against the Day". Against the Grain: Reading Pynchon's Counternarratives # p. 81-98 (2010).

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